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August 3, 2012 @ 11:59 PM - 12:00 AM
The streets may not connect, but they all lead to 1980s-tinged neo-noir when Ryan Gosling takes the wheel. It’s the best Michael Mann movie that Michael Mann never made, and it’s primed to become a midnight classic. Why? Because there’s a thin line between smoldering sensuality and sheer stupidity. More info