‘Top Gun: Maverick’ Review: I Feel the Need… the Need to Tell You How Incredible This Sequel Is

Tom Cruise proves why he is the GOAT when it comes to movie stars.

Oscars Review: CODA’s Historic Win Upstaged by Will Smith and the Slap Seen ‘Round the World

Sunday's telecast may not have been how the Academy drew it up, but everyone is talking about the Oscars

Review: In “Bodies Bodies Bodies,” the Scares Just Aren’t There

This horror-comedy may have earned a rousing reception from critics at this year’s SXSW film festival but it has all the impact of a TikTok video

Review: Dark Comedy “I Love My Dad” Is Uneven But an Acting Showcase

This film has some odd directorial flourishes that distract from the story more than they enhance it —but the smart script makes up for it in the end.
Emily the Criminal

Review: Aubrey Plaza Is Excellent in Sundance Standout “Emily the Criminal”

Plaza's gritty, against-type performance is even better than her acclaimed turn in "Ingrid Goes West"

Review: Idris Elba’s Killer Lion Movie “Beast” Has Teeth, Albeit Little Logic

Baltasar Kormákur’s thriller will be worth a watch on Peacock in a few weeks but you may want to skip the theater

Dunsmoor Brings the Slow Burn of “Heritage Cookery” to Glassell Park

Brian Dunsmoor’s eponymous Glassell Park eatery serves up modern American classics with an old-world sizzle

Review: “Bullet Train” Moves Too Fast to Make Much Sense

The approach to adapting Kotaro Isaka's 2010 novel, "Maria Beetle," here was all wrong and David Leitch was not the right filmmaker for this project
Halloween Ends

Review: “Halloween Ends,” Thank God

The final film of this trilogy is a complete bastardization of the horror franchise that began 44 years ago